ROOTED SMALL URUSHI
This object is the centerpiece of the Kami collection, seamlessly uniting Kurdish and Japanese design traditions. Inspired by the traditional Faranji vest from the Hawraman region, the vase transforms this symbol of function and warmth into an elegant, sculptural form. Its design mimics the organic growth of three branches emerging from roots, symbolizing connection and resilience.
Crafted from sustainable materials and adorned with luxurious Urushi lacquer, the vase’s deep, earthy tones echo the natural colors of soil, grounding it firmly in nature. The branching structure is reminiscent of Ikebana, the Japanese art of flower arrangement, which emphasizes harmony, balance, and simplicity. Rooted in centuries-old tradition, Ikebana flourished alongside the tea ceremony, reaching its height during the Edo Period (1603 - 1868). Today, with over 300 schools worldwide, this art form continues to evolve, blending nature and design to reflect the beauty of each season. The Rooted piece captures this spirit, offering a timeless platform for floral artistry that bridges tradition and modernity.
Photography: Erik & Petra Hesmerg
Materials
100 % Urushi Lacquer
Dimensions
CM W 35 x H 11 x D 10
IN W 13.78 x H 4.33 x D 3.94
Edition details
Edition of 7
+ AP
Price & Lead Time
On request
16 / 20 weeks
Year
2025
Weight
Kg -
Lbs -
Download
-
Transport
Incl Shipping Crate
Excl Trasport
The technique is made by mixing black lacquer with proteins derived from tofu to made a pasty substance reminiscent of texture paint. After evenly distributing this across the object using brushes, lines are drawn into to surface by using a fine comb. This creates a pattern of raised lines that is left to dry. Afterwards, the entire surface is coated three times with a mixture of raw lacquer and finely ground clay to fully immerse the black lacquer coating. Finally, the entire surface is carefully polished flush to reveal the lines of the black lacquer from below the stone-like topcoats. This creates a unique wabi-sabi effect that appears similar to Asian pottery, and urges the viewer to experience the surface of the object through touch.
MAKING OF ROOTED
MAKING OF ROOTED
The technique is made by mixing black lacquer with proteins derived from tofu to made a pasty substance reminiscent of texture paint. After evenly distributing this across the object using brushes, lines are drawn into to surface by using a fine comb. This creates a pattern of raised lines that is left to dry. Afterwards, the entire surface is coated three times with a mixture of raw lacquer and finely ground clay to fully immerse the black lacquer coating. Finally, the entire surface is carefully polished flush to reveal the lines of the black lacquer from below the stone-like topcoats. This creates a unique wabi-sabi effect that appears similar to Asian pottery, and urges the viewer to experience the surface of the object through touch.
ROOTED SMALL URUSHI
Because we work extensively with natural materials, each piece carries its own variation in tone, texture, and finish. These nuances are not flaws but qualities that give each object its unique presence. Over time, materials may shift or age, a process we embrace and can help you navigate.
ROOTED SMALL URUSHI
Because we work extensively with natural materials, each piece carries its own variation in tone, texture, and finish. These nuances are not flaws but qualities that give each object its unique presence. Over time, materials may shift or age, a process we embrace and can help you navigate.